January 13, 2011
I hated dancing as a child.
Not the act of dancing, per se. Although as a rather shy boy, that could quite well be the case. But the art of dancing.
My sister is to blame. I spent countless days in self-imposed exile from the living room as she and her friends would choreograph and practice dance routines. I sat through countless episodes of the local CKWS TV Star Search rip-off. I cannot count the number of times I have ignored Dirty Dancing playing on the TV.
She was my sister. I was a boy. These things were, by definition, torture.
So imagine my surprise earlier this week when, reflecting on such things, I realised that today I very much enjoy dance. Karen and I see dance shows more often than we go to the theatre, for example, despite living relatively close to some excellent theatre in the West End. And I am more likely to enjoy these dance shows than I am whatever is on stage.
At this point, it should probably be evident that Karen enjoys dance as well. However, her love of dance extends to that scourge of modern civilization: the reality television programme.
Strictly Come Dancing

Here in the UK, we have a show called Strictly Come Dancing. It is a ballroom dancing contest, featuring celebrities. ABC has copied the show in America, calling it Dancing with the stars.
Karen likes this show, so my adult self found himself in the same position as my child self: sitting and staring at non-professional dancers on the television set. Ballroom dancing, as it turns out, is not for me. Luckily winner Kara Tointon (inset) is easy-on-the-eyes, made the show more palatable, but I found myself feeling the familiar groans of my childhood about having to watch dancing on TV.
But why? I like dancing now, do I not?
The answer, it turns out, is in the style of dance. Ballroom dancing seems very British — it is not about how well you dance, or self-expression, but about avoiding anything that can be considered out of place. How else to explain the judges giving consistently higher marks to the perfect-but-incredibly-boring dancing of Pamela Stephenson, versus those given to not-quite-perfect-but-much-better-performances of some of her rivals?
I told you that I find myself interested in dance now. I can even rant about it, although this space is supposed to be about writing (not ranting). So instead we move on to …
More reality TV dancing
This week, the reality show Got To Dance began its second season, and my dance-loving partner wanted to watch the opening.
My childhood dread of dance-on-TV, reinforced by my general dislike of Strictly Come Dancing forced a groan from me. Not more reality TV dance-offs!
Yet we watched the opening. The show is terrible for many reasons. It has poor production values, is poorly directed, has an annoying host (or presenter for you Brits reading), and is a reality TV show. I hate reality TV.
Worst of all, they are clearly letting non-competitive (yet entertaining) acts through, on the virtue of being good dancing for a 46-year-old, or being a cute kid that’s not too bad. It stinks of trying to fit the market research, rather than trying to create a good show. That pisses me off.
But I still enjoyed the show.
The long and short of it is that many of the competitors are actually talented dancers. And nobody cares about making sure that individual dances remain bound by staid, strict rules. They are looking for people who are actually expressing themselves by dancing.
Which points out my problem with ballroom dancing — the point there is not expression, but conformity. That’s shitty dancing. Dance should be expressive. (I learned that from Dirty Dancing, I think.)
So apparently, judging by my own standards, I need help.
Because I think I enjoy a poorly produced reality TV show about dancing.